October 30, 2020


Black Foxxes’ long-awaited third studio album is out now! Check it out HERE.

“’Black Foxxes’ is an album that showcases the band’s sheer talent, proving them as not just one of the best alt-rock bands around, but one of the more interesting bands around. Period.”LINE OF BEST FIT

“More assured than ever… a band reinvigorated”DORK

“There are just so many little touches that lift Black Foxxes from your usual post punk gee-tar drudgery offered by so many wannabes… an impeccable album.” – NARC

“In avoiding the middle of the road, this trio has stumbled upon a new wellspring they’ve soon mastered how to draw from.”KERRANG!

“a confident step forward into a bright future” – UPSET

“There is an undeniable energy, and beauty around the work of Black Foxxes – a unique intensity that blurs the line between accessible indie, noise rock and alt-rock.”SOUNDSPHERE

“soul restoring”NOIZZE Elsewhere, Black Foxxes feature as the face of Spotify’s hugely popular ‘The Rock List’ playlist.


Over the course of two albums (2016’s ‘I’m Not Well’ and 2018’s ‘Reidi’), Black Foxxes main-man Mark Holley established his band as a potent creative force, carving out a signature spot on the emotive rock ‘n’ roll map backed by strong, growing support from fans and media alike.

With singles / videos such as ‘Husk’, ‘I’m Not Well’, ‘JOY’ and ‘Manic In Me’, the clip for which was filmed in Iceland, a key source of influence for Album 2, it became increasingly clear that Holley is an artist prepared to shed protective layers –an artist with plenty to say and a particular way of tapping into thoughts, feelings and fears.

And now, with Album Number 3, the Bristol-based singer / songwriter / guitarist has done even more to bind music and personal message into a cohesive body of work –nine compelling tracks recorded quickly with a brand new rhythm section (drummer Finn McClean and bassist Jack Henley, a longstanding friend), plus a trusted team member in producer / mixer Ade Bushby, who helmed the desk on both previous outings.

From the very start, the intention was to keep instinct, musical integrity and the chemistry between the players right at the fore, with no second-guessing of the market and no attempt to stem or to edit the musical flow –a flow that takes in synths, distorted vocals plus a battery of left-field sounds (inspired by Bristol’s alternative DIY culture), along with a broader range of lyrical subject matter.

After 18 months spent searching for that “magic sweet spot”, this is Black Foxxes in the raw, unfiltered, unfussed with.

No rules, no labels, all on the line.

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