HEADLINE UK SHOW ANNOUNCED FOR OCTOBER 23RD IN MANCHESTER
ELECTRIC FUCKIN’ WIZARD have revealed a second track from their forthcoming full-length album, ‘TIME TO DIE’, set for release via Spinefarm Records on September 29th.
Titled ‘SadioWitch’ and featuring the line ‘the black drug took my soul away’, the song will be accompanied by a video, currently being edited. Little is known about the clip, although it is believed to feature (encouragingly) both ‘nudity’ & ‘explosions’.
“Sadiowitch is about death by lust and indulgence. As life becomes disillusioning it is reassuring to turn to 'lifes luxuries'…sex and drugs. But, of course, over indulgence leads to emaciation, weakness and death. The song is short and sweet just like this particular form of death. There are many choices but only one outcome. Choose wisely…” – Jus Oborn
A limited edition 7” version of ‘SadioWitch’ is also being planned, with a previously unreleased piece of music on the B-side.
‘TIME TO DIE’ is the eighth full-length offering from the masters of aural punishment, and their first album release since signing a worldwide deal with Spinefarm Records.
Listen to ‘Sadiowitch’ here
A UK headline show has been announced for October 23rd at The Ritz in Manchester.
Tickets are available here
A full supporting bill will be announced in due course.
All official Electric Wizard pre-order bundles are now live at www.ElectricFuckinWizard.com, featuring limited numbers of vinyl, CD, T-shirt, back-patch & pin badge packages.
Electric Wizard, who have recently played headline slots at a number of major European festivals, including Hellfest (France), Roskilde (Denmark) and Sonisphere (UK), have the following appearances lined up for 2014, with more shows to be added:-
Sep 12th Reverence Valada, Portugal (headline with Hawkwind)
Oct 10th Desertfest, Antwerp, Belgium
Oct 23rd The Ritz, Manchester, UK (headline show)
* Finch playing UK shows this week *
“Two Guns To The Temple” will be available to download from the 18th August.
Back To Oblivion marks the return of Finch with the band’s first full length album in over nine years. The Southern California band has undeniably created a lasting, formidable body of work with their two studio albums and EPs - singer Nate Barcalow acknowledges that 2002’s What It Is To Burn all but “defined post-hardcore early in the decade”, while 2005’s Say Hello To Sunshine continued to shape its direction. The band dignified the demand for a celebration of What It Is To Burn’s 10th anniversary by reforming after a hiatus and playing select sold-out shows across the country in 2013. Inspired by the creative surge brought on by these shows, Finch rendered these contradictions moot with Back To Oblivion, their long-awaited third LP and a new, bold chapter in the band’s legacy. Back To Oblivion itself is a paradoxical idea. This is Finch reinvigorated, brimming with the inspiration of their earliest days; the opposite of the negation implied by “oblivion”. But as a songwriting unit, they’re challenging themselves by going deep into the unknown - this is by far Finch’s most introspective and demanding work from a lyrical standpoint. The album was produced by Brian Virtue (Deftones, 30 Seconds To Mars, Jane’s Addiction, Audioslave).
This past summer, Finch returned to the Warped Tour as a respected veteran; this was once a scene where they had been the newcomer with something to prove. Finch will play the following UK shows this week:
Wednesday 13th August London Underworld
Thursday 14th August Kingston Banquet Records (Acoustic Set)
Friday 15th August Hevy Festival (headline set)
Listen To First Single “Two Guns To The Temple” here
AND CONFIRMED AS MAIN SUPPORT TO WE ARE THE OCEAN ON OCTOBER UK TOUR
Following the success of the band’s recent (and first ever) UK headline tour as well as an incredibly well received run of dates as main support to Lower Than Atlantis, DECADE have revealed yet another string of headline dates, this time taking Light You Up and Hey Vanity as supports.
In addition to this, the guys will be hitting the road with We Are The Ocean this October, with Boy Jumps Ship announced as openers.
Sept/Oct UK headline dates:-
29th - Rafters, Maidstone
30th - Portland Arms, Cambridge
1st - The Scene, Swansea
2nd - Level 3, Swindon
3rd - Zombie Hu, Corby
4th – Brickyard, Carlisle
5th - Make A Scene Festival ,Teeside University (main stage, festival appearance)
6th - Sugarmill, Stoke
Tickets available here: www.ents24.com/uk/tour-dates/Decade
WATCH CURRENT VIDEO ‘COFFIN’ HERE
Protest The Hero today release the video for ‘Mist’ – a track from the band’s fourth studio album, ‘Volition’, out now via Spinefarm Records.
Shot in the Canadian province of Newfoundland & Labrador, ‘Mist’ is an 8½ minute mini-movie spotlighting a part of the world that contains some of the band’s most dedicated fans. Newfoundland is not included on most tour itineraries, but repeated visits by Protest The Hero has given birth to one of the Ontario group’s most raucous fan-bases.
Guitarist Luke Hoskin comments:
“Making this video came in two parts. Originally, the plan was to film an ‘Island Tour’. We pestered our friend / promoter Johnny to book us as many shows on the island as possible. Begrudgingly, he dug us up two additional shows to the typical BIG St. John's date. We hauled everything we could in two small minivans, and a gaggle of our wonderful NFLD friends tagged along in a couple of separate vehicles. It felt more like a carnival than a tour – our motorcade invading gas stations and rest stops along the way. It wouldn't have been the same without all those familiar faces to help us at every step. When we were done, though, it felt like something was missing...
“Since the original idea was to film the tour and make the 'Mist' video from all that footage, our job was done right? We were close, but we felt like we had left out the most beautiful part of the island – the island itself! So we returned. And we made sure to capture some of our favourite spots in the St. John's area.
“As expected, we were welcomed with open arms, and the unbridled enthusiasm we have come to expect from this place. It was an amazing feeling to make
a video for the song about the place you love the most. It was even more amazing to fall further in love while shooting. I am constantly reminded of the friendships we have made there, and am ever thankful for the reception we have experienced. There is something truly magnetic about this place – don't go unless you plan on returning many times.”
‘Mist’ is the fifth official video from ‘Volition’, following lyric videos for ‘Clarity’ and ‘A Life Embossed’, plus conceptual videos for ‘Underbite’ & ‘Tilting Against Windmills’.
PTH will continue to tour through to the end of 2014, with headline dates in the UK & Ireland already on sale for November / December; in addition, the band will be playing shows in Australia, South Africa & Europe.
The video for ‘Mist’ is below:-
Gothenburg, Sweden's Amaranthe, known for fusing melodic metal with elements of EDM, will release their third album MASSIVE ADDICTIVE via Spinefarm Records on October 20th.
MASSIVE ADDICTIVE is true to its title. The band's signature, larger-than-life sound, comprised of kinetic riffing, pulsating beats and celestial, melodic choruses, remains intact, but the album finds Amaranthe continuing to explore a range of dynamics and with a willingness to push themselves even further.
The songs that populate MASSIVE ADDICTIVE are so incredibly catchy that they will take up residency in your brain for hours after you've turned the music off, and you will find yourself humming the melodies or singing the choruses long after you've stopped listening to them. MASSIVE ADDICTIVE is that memorable and that catchy.
MASSIVE ADDICTIVE was tracked at Hansen Studios in Ribe, Denmark, with the sound sorcerer Jacob Hansen (Volbeat, Epica) at the helm.
The 12-song album is a flawlessly executed clinic of masterfully and carefully crafted modern metal, boasting Olof Mörck's surgically precise riffs and soaring solos alongside Morten Løwe Sørensen's rhythmic thrust and Johan Andreassen's booming low-frequency assault. Elise Ryd's vocals are as emotive and empowering as ever, filling the room, while Jake E's melodic vocals are an outpouring of power. New screamer Henrik Englund Wilhelmsson puts his stamp on the material, as well.
The sound is both massive and addictive, from the unforgettable, driving sounds of "Drop Dead Cynical" to the anthemic title track to the stadium-sized soar of "Digital World" to the emotionally haunting power semi-ballad "True." MASSIVE ADDICTIVE is an exercise in dynamics and is one that refuses to play by any sort of genre-specific, prescribed rules.
"We have lived and breathed this album every hour and every day the last year, and to know that this music is about to reach everyone's ears is beyond exciting," guitarist Mörck enthused about MASSIVE ADDICTIVE. "Following the first leg of The Nexus World Tour, we sat down and agreed that we wanted the next album to be really fresh, new and even to raise a few eyebrows, all while retaining our signature sound."
He continued, "MASSIVE ADDICTIVE is in every way that huge leap forward we wanted to achieve; the album definitely contains our strongest song-writing to date. The press often asks us to 'describe the album in three words'; this time, the answer is simple - it's MASSIVE, it's ADDICTIVE and, most importantly, it's AMARANTHE!"
MASSIVE ADDICTIVE Track-listing
2. "Drop Dead Cynical"
4. "Massive Addictive"
5. "Digital World"
8. "Over and Done"
9. "Danger Zone"
11. "An Ordinary Abnormality"